![]() Maybe that entitles one to receive a co-production credit, I don't know. ![]() ![]() Even though every track on that was co-credited to E, I somehow don't believe that he applied any production techniques beyond bouncing ideas back & forth with Lee. Regardless, where did that leave HOP and their progression? It freed up a lane and presented the perfect opportunity for DJ Lethal to fully come into his own as a producer. It's as if everyone but Muggs didn't even pay that shit no mind. Funny part is, HOP has yet to respond to such one-sided aggression to this day. Muggsy took it so bad that he went ahead and dissed HOP on the third Cypress Hill opus Temples Of Boom, which caught his own group members by surprise, as even they didn't know how upset he was. Unfortunately, that apparently didn't sit very well with Soul Assassins head figure DJ Muggs of Cypress Hill. Anyways, during that time, the Irish-Latvian trio of Erik Schrody aka Whitey Ford aka Everlast or E, Daniel O'Connor aka The '55 Cadillac King aka Danny Boy or D & Leor Dimant aka The Mad Bum Russian aka DJ Lethal or Lee, collectively known as House of Pain, were facing a management dilemma where they wanted more creative control over where they were heading musically. Oh and I was having an absolute ball with a little-known gem called Final Fight 3. So it's back to the year 1996 we go when I was but a watery-eyed preteen whose head was still fixated on Tekken 2 & that Space Jam movie.
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